However, “La primavera” (Spring), the first concerto in Vivaldi’s set, is most often used in modern films as an auditory cue that coincides with visuals of expensive dinnerware, resplendent mansions, and stately chandeliers. ![]() The playfulness and lighthearted nature of “Spring” indeed reminds one of the first sublime day of the new year, when children may doff their winter coats and play in the rolling meadows. Vivaldi intended each concerto in “The Four Seasons” to evoke emotions of a particular season and serves as an example of pre-19th Century programmatic music. Vivaldi and other composers of the Baroque period have had their music featured in many films, often as stock music meant to evoke a sense of bourgeois excess, fancy tastes, or extreme wealth. ![]() At least 95 of those soundtracks feature the “Spring” movement from his 1723 cycle of violin concertos entitled “The Four Seasons.” Antonio Vivaldi, The Four Seasons, and the Caricature of Wealthĭespite his death almost 200 years before the premier of the first modern film to feature an accompanying score, Antonio Vivaldi (1678–1741) is credited as part of the music department for 70 films and on the soundtrack of 439 films.
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